How School Librarians Can Integrate the Workshop Model & Classroom Libraries

How School Librarians Can Integrate the Workshop Model & Classroom Libraries - School Librarians must make the school library about more than just reading. When we focus on integrating Library Lessons into all subject curricula, we won't lament curriculum changes, such as the ELA workshop model & classroom libraries. #NoSweatLibraryIt’s not unusual to see a School Librarian post something like this on my listservs:

The English Language Arts department adopted a reading & writing workshop model and classroom libraries. Students choose books in their classrooms and read for 10-minutes at the start of class, so teachers no longer bring them to the library. Our library circulation has plummeted and I don’t think students have the time and freedom they previously had for free reading.

Friends, this is why our library program MUST be more than just books and reading! If we focus only on promoting reading and checking out books, we will suffer when classroom libraries and reading workshop programs are implemented. Our school library must be a multi-faceted learning space, not just a book repository.

I’m a School Librarian who has gone through this experience, and I can tell you that, because I built strong curricular relationships with ELA teachers, I wasn’t adversely affected when our district adopted such a program. Well, we did follow the “rules” for the first semester, but teachers were very unhappy with our reading results, so the following semester we reverted to our already-successful regular recurring ELA library visits with sustained silent reading. Yes, because of our long record of DEAR/SSR, we were able to see the shortcomings of the new model.

PITFALLS OF POOR WORKSHOP IMPLEMENTATION

  • 10-minute reading doesn’t allow story immersion
    Students need 2 or 3 chapters to really get into a story, and that takes a lot longer than 10 minutes. Teachers found that students weren’t continuing to read a book they’d chosen the day before, but would look for a new one. Limiting their browse time didn’t solve the problem and students just grabbed any book off the shelf, read for the allotted time period, then put the book back and grabbed a new one the next day. Students weren’t really “reading” nor finishing books; they were just fulfilling a “requirement.”
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  • 10-minute reading doesn’t foster comprehension
    Try it yourself. Pick up a new book and read for 10 minutes, then mark your place and put it away. The next day, pick up the same book and begin reading where you left off—don’t reread—for 10 minutes. Do the same thing for a third day, and when you put the book down, write a short summary of the story. The fourth day, start a brand new book at the beginning and read for 25-30 minutes, then write a short summary of the new story. Compare the two summaries: you’ll shake your head at the shallow understanding those short reading periods gave you and how much more you got out of the longer sustained reading session. You’ll also want to continue reading that second book!
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  • 10-minute reading doesn’t build reading endurance
    When we reverted back to our regular library visits with DEAR Time, kids would look at the clock after 8 or 9 minutes to see if the “10 minutes” they’d gotten used to was over—and then they’d get restless and disruptive. Even upper grades who had enjoyed extended reading in prior years did this. We cajoled and stuck with it–providing the same long DEAR Time in classrooms in the off weeks–and eventually students settled into reading for 25-30 minutes.

So ended our experiment with daily reading as a “bell-ringer” activity. In all fairness, the workshop model is intended to provide lengthier reading times, but all too often teachers make “reading workshop” into chopped-up text analysis instead of free reading and an ending summation activity.

DON’T FIGHT CLASSROOM LIBRARIES – SUPPORT THEM

I rarely purchase more than 2 hardback copies of any book, even if popular, because extra copies sit on the shelf after the first burst of interest and are weeded for non-circulation within a couple years. I’m happy to have teachers build classroom libraries with several paperback copies of best sellers. By the time popularity wanes, the books are worn out and latecomers are satisfied by the 2 library copies.

Classroom libraries mean fewer intermittent book checkouts, but those aren’t a huge contributor to circulation. With nascent classroom libraries, teachers limited students to 1 book at a time from their shelves, and with the workshop model’s increased reading, I decided to increase book checkout limits from 2/student to 3/student and, by the end of the school year, to 4/student. Students also read during downtime in other subject areas, so by having an extra book from the school library, they can start a new story instead of waiting for ELA class or bi-weekly library visit. Continued reading increased our circulation beyond what was expected from just increasing checkout limits!

Classroom libraries did produce 2 problems for ELA teachers: lack of shelf space for books and lack of funds to keep purchasing new books. Because they were so supportive of the library program, I wanted to help:

  1. Support Classroom Libraries: An Idea for Surplus Shelves - If your school library has extra bookshelves laying around, use them for short paperback bookshelves that fit under a whiteboard. English Language Arts teachers LOVE them for classroom libraries, your principal is impressed with your initiative, and you've gotten rid of dust-catching clutter! #NoSweatLibraryFor the library’s 5-foot high bookcases I use 3 shelves for books and the bottom shelf to display new or topical books. Since each bookcase came with 5 shelves, I had more than 100 extra solid oak shelves stacked up.
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    Deciding to use these extra shelves, I designed a 6” deep, 2-shelf bookcase to fit under whiteboards in ELA classrooms. I had a high school construction class build 4 of these for each ELA teacher. You can imagine their surprise when I gave each teacher 20 feet of additional paperback shelving that didn’t eat into their classroom space!
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  2. I’d been running a school store during lunch in the cafeteria for a couple years. Priced from 25¢ to $2, students gobbled up these fun & flashy school supplies, and the income purchased more supplies. Still, I had accumulated some significant profits, so I decided to donate $385 of school store profits to the ELA department to purchase new books for their classroom libraries.
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    If ELA teachers were delighted with the bookshelves, they were over-the-moon about the money! They met at our local brand-name bookstore that very weekend and chose dozens of new books–substantially discounted, thanks to a supportive store manager. They praised students for helping to get those books by supporting the school store, and my business boomed even more during ensuing weeks. At the end of the school year I donated another $160 to ELA teachers.

The point here is, instead of complaining about classroom libraries, I found a way to solve the problems my ELA colleagues were having with this curricular change. Instead of a drop in circulation, ELA teachers were even more consistent about bringing students to the library and my circulation soared!

INTEGRATED THEMATIC LIBRARY “WORKSHOP” LESSONS

School Librarians Can Re-align Library Lessons to Fit a Workshop Model - The 4 Instructional Activities of my Library Lesson Planner align with the 4 steps of the Workshop model. Through collaboration with ELA teachers, each literary text unit now has meaningful Library Lessons that align with classroom learning and ensure continued library visits. #NoSweatLibraryIn its simplest form, the workshop model has 4 parts: opening, mini-lesson, work time, and debriefing. This coordinates with the 4 instructional steps of my Library Lesson Planner: direct instruction, modeling & guided practice, independent practice, and sharing & reflecting, so I configure our library visits as Reader Writer Workshops:

Warm-up – I share Learning Targets and allow for the return of books.
Mini-LessonDirect Instruction and Modeling & guided practice to the whole class.
Workshop is Independent practice. Usually we have Reader Workshop where students browse for new books and have DEAR Time free reading. Sometimes the lesson is Writer Workshop where students complete an activity.
Sharing & reflecting – The last several minutes of the period is our by-table book checkout and I can talk to each student about the books they’ve chosen.

With the first Library Orientation visit, 6g ELA teachers liked my adoption of the Workshop model, but I knew I could do more. I studied the new scope & sequence, and I could see opportunities for Library Lessons that would provide a more enriching experience covering the entire class period.

Teachers and I collaborated to customize Library Lessons with Literary Text Unit Themes and integrate their classroom learning activities into a full-period Library Lesson visit. The new Library Lessons are spread out over the entire unit, yet we still allow plenty of time for book browsing and silent reading. Because we collaborated, English Language Arts is intricately woven into every-other-week library visits, and the content and pacing of curriculum is not just preserved, but enhanced.

I’ve adapted 6th grade Literary Text Units for use by any middle school librarian. Units for Narrative text, Expository text, and Persuasion units are available from No Sweat Library, my TeachersPayTeachers store. A poetry unit is under construction.

MAKE EVERY LIBRARY VISIT IRREPLACEABLE

I clarify that my school library program wasn’t negatively impacted by the workshop model and classroom libraries for 3 reasons:

  • We’d already established regularly scheduled library visits with silent reading every other week for all ELA classes.
  • I’d already created short Library Lessons for some visits that supported classroom learning.
  • The strong relationship between School Librarian and English Language Arts teachers prompted collaboration to overcome the deficiencies of the workshop curricular plan.

The School Library can’t just be about reading books. School Librarians need to rigorously contribute to student learning by fully integrating Library Lessons into all subject curricula. Otherwise, we can’t lament a lack of appreciation for the library when curriculum changes affect our circulation.

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Becoming a Culturally Responsive School Librarian

Becoming a Culturally Responsive School Librarian - A culturally responsive School Librarian features cultures, races, and ethnic groups throughout the school year, and works diligently to build respect for diversity within ourselves, our library collection, and our Library Lessons. It's the only way our students can learn to love themselves. #NoSweatLibraryFebruary’s Black History Month is an important national celebration and a busy time for School Librarians. As I read and hear about activities I often wonder:

  • What will School Librarians do about Black History during other months of the school year?
  • How will we honor other cultural groups throughout the school year?

We need to consider all aspects of our School Library Program and ask: How can we, as School Librarians, make ourselves, our Library Collection, and our Library Lessons culturally responsive to all students?

OUR OWN CULTURAL ATTITUDES

I believe our school libraries reflect the beliefs and attitudes that we School Librarians have toward others. Our collection development, our library decor, our library lessons, and how we interact with our students reflects that. We must examine our own attitudes carefully: Do we consider someone of a different race, ethnicity, or cultural background with “empathy/sympathy” or with “respect”? They are quite the opposite!

Both empathy and sympathy stem from the Greek ‘pathos’feeling—and relate to suffering. Both apply to a sharing with another individual; when carelessly associated with groups, it may engender either shame or arrogance about our own background.

Conversely, respect is from the Latin ‘respectus’looking at—and connotes regard and consideration. It is more encompassing; respect impels us to see the glory in the culture and heritage of others. If we have respect for the culture and heritage of others, then we will choose materials, presentations, and conversations that build positive cultural awareness among our students and teachers.

Be passionate about affirming respect in personal interactions. One year we had a substitute teacher who spent his entire lunch break complaining about “those kids” and their behavior or language or ability. I finally challenged him:Barbara Jordan "If the society today allows wrongs to go unchallenged, the impression is created that those wrongs have the approval of the majority." ‘I was tired of hearing him complain about our kids, and if they bothered him so much why didn’t he just quit coming to our building?’ I informed our principal that I had “mouthed off” to the sub, and she was relieved someone had finally spoken up, as were other teachers who heard about it!  (thankfully he never returned.)

I’m not promoting myself here. I’m trying to say that we may be inclined to ignore such actions, but supporting any and all of our kids when necessary will ensure that students have an upbuilding educational experience in our libraries and our schools, and that impacts everyone’s future.

OUR LIBRARY COLLECTION

How Culturally Responsive Is Your School Library Collection? - Our school library collections need to reflect both our own students and the diversity of global cultures, so students develop pride in themselves and respect for others. #NoSweatLibraryCan your students find themselves in your school library collection? Students can’t develop pride in their culture and heritage if they never read about its positive aspects, and students won’t develop respect for other cultural backgrounds if they only know about their own. Expanding awareness through reading builds pride and respect.

I was fortunate to be the librarian at the most diverse middle school in our district: 33% African-American, 25% Asian, 25% Euro/Anglo, 15% Latinx, and 2% Native Nation. One year our ELL students spoke 30 different languages. I was initially impressed with the collection in the 2-year-old school library, yet later that year a library course on multicultural books helped me discover how few resources we had for 75% of our students:

  • A few books on slavery and the Civil Rights Movement, but nothing about African-American culture or other time periods.
  • Numerous books on countries, but nothing on Latinx or Asian culture, events, or place in U.S. history.
  • Typical food/festivals/folktales books for various cultural groups, but few on other aspects of culture and none on contemporary society or issues, especially emigration/immigration.
  • Some reference books but few individual biographies about Black, Latinx, Asian, or Native Nation people.
  • A few historical fiction books or award-winners about other cultures/ethnic groups—many by authors who didn’t represent who they were writing about—but meager contemporary realistic Fiction.

Over the years I worked hard to acquire materials that were more representative of our school and that would broaden our students’ perspective on the U.S. and its history:The Middle Passage: White Ships/Black Cargo, a visual history of life aboard a slave ship.

  • A more comprehensive view of slavery
    • ante-bellum personal narratives & biographies, such as Olaudah Equiano, Frederick Douglass, and Solomon Northrup
    • slave resistance and rebellions, and runaway slave communities such as those in Florida and Mexico
    • U.S. court cases where slaves prevailed
    • Slaves and former slaves who fought, spied, or worked with Union soldiers during the Civil War
  • Various cultures, ethnic groups, and time periods in U.S. History
    • from the Trail of Tears to the American Indian Movement;
    • from early Meso-American settlement to United Farm Workers to contemporary border issues;
    • from the Transcontinental Railroad to WWII Internment Camps to Southeast Asian refugees;
    • the Harlem Renaissance and African-American roots of contemporary music.9th U.S. Circuit Court of Appeals ruled it was unconstitutional to segregate students of Mexican heritage into inferior schools, paving the way for Brown vs. Bd of Education in 1954
  • Contemporary non-fiction about art, music, family life, and other cultural elements over a wide range of ethnicity.
  • Individual biographies about Blacks, Latinx, Asians, and Native Nations from ancient to modern times (Eventually encompassing 42% of the biography collection.)
  • Historical and Contemporary Realistic Fiction by and about all races, ethnicities, and cultural groups in various situations and locations in the U.S. and other countries

Building a culturally diverse collection is essential, but we must analyze both the quantity and the quality of diverse books on our shelves. Here are a few sources I use for recommendations on quality reading material:

What books are in your personal library?

Even with authoritative recommendations, I believe we can only choose quality diverse material for our school library if we cultivate a broader view through personal reading about culture and history. I began my own quest in college with 2 books that still reside on my shelf—No More Lies by Dick Gregory and Bury My Heart at Wounded Knee by Dee Brown. Currently I have at least 5-feet of multicultural non-fiction and fiction books on the bookshelves in my home office.

OUR LIBRARY LESSONS

A while ago I read something in a blog post that embodies my mindset for Library Lessons, and, with slight rephrasing, I believe this goal can enable all school librarians to be culturally responsive teachers:

Teach students of all cultural backgrounds to love themselves.

Black History Month can bring out the worst in our lack of cultural respect for Black Americans. I’m referring here to slavery simulations. This is an example where supposed “em/sym-pathy”—expecting students to “feel slavery”—is dispiriting and devoid of cultural benefit. Rafranz Davis states it even more boldly:

If your idea of “celebrating” the contributions of Black people during the month of February is a lesson in slavery…you are the one that needs a lesson in history and the countless contributions that we not only have made but are still making.

I’m not suggesting we avoid the discussion of slavery, but rather use care about how and when we do it, and include topics like those I mentioned earlier. Nigerian novelist Chimamanda Ngozi AdichieI’m reminded of a TED talk by Nigerian novelist Chimamanda Ngozi Adichie: “The consequence of the single story is this—that it robs people of dignity.”

Slavery can’t be the only story our students—regardless of color, ethnicity, or cultural background—hear about the history of Blacks in America. The Holocaust can’t be the only story they hear about Jews. Terrorism can’t be the only story they hear about Muslims. Pearl Harbor can’t be the only story they hear about Asians. Undocumented workers can’t be the only story they hear about Latinx. And Thanksgiving can’t be the only story they hear about our Native Nations.

When developing Library Lessons, I ask myself:

  • How can I make this lesson culturally responsive for all my students?
    • Can I choose a wider range of resources?
    • Does the activity allow for the cultural learning styles of all students?
    • Am I phrasing my topic in a culturally sensitive manner?
  • Is this lesson building respect for all students?

A RESPECTFUL SCHOOL LIBRARY PROGRAM

With the divisiveness that currently pervades our society, it’s imperative for School Librarians to build respect for other cultures/races/ethnicities in every facet of our School Library Program. We can’t just promote heritage celebrations for a month. We must work diligently, and throughout the school year, to be culturally responsive with ourselves, our library collection, and our Library Lessons. It’s the only way our students can learn to love themselves.

line of books laying down

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